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Other than the film format and name, it has nothing in common with the original Mamiya Six. The camera should not be confused with the similarly named line of Mamiya Six cameras from the 1940’s & 50’s. The Mamiya 6 is relatively svelte, easy and fast to use and makes sharp images due to the silent and vibration free electronic leaf shutters and rangefinder-design lenses. The Mamiya 6 was introduced in May 1989 and is a 6×6 cm (2¼” square) rangefinder camera taking #120not120mm and 220 film with three interchangeable lenses of 50mm, 75mm and 150mm. In this review, we’ll be taking a closer look at the Mamiya 6 with the 75mm f/3.5. #Mamiya 6 review seriesThe Bronica ETR series shoot 6×4.5 cm frames so if you want a bigger negative, Mamiya is the way to go. If you want smallish size and lightweight and you need to swap focal lengths, your options are limited to the Bronica ETR series or Mamiya 6/7. Of course there are the Rolleiflex TLR’s and their brethren, the legendary Plaubel Makina 67 family or Fuji foldables like the GF670 for relative featheriness but you’re stuck with a single lens. #Mamiya 6 review portableThus a lightweight portable option has always been, still is, and will always be desirable. The neck, shoulders and back? Not so much. The Phoblographer’s Cheat Sheets are made with VisMe.There’s no doubt that anyone who has shot medium format film loves those huge negatives or slides you get back. If the image isn’t making your jaw drop, then forget about it. You’ve got only so many areas and you have to find a way to make the most of it. Or you can always center your subject, but that gets boring. One could say that it’s easy by making everything symmetrical. Composing for the square format is a bit tough. I’m telling everyone that the Mamiya 6 can genuinely make you a better shooter.Ī big part of it is the square format. ![]() They’re always saying they’ll fix it in post-production. Very few photographers are that meticulous. But here’s the hard truth: in 2020, there is no photographer living that’s been able to get it done like someone that’s shot film. So to preserve the film, you’ll work with them to make every single shot the best.Ĭan you do this with digital? Sure. This camera will teach you to think ahead of what your subject is doing. ![]() If you’re a photographer who sits back passively and just captures models in front of you, get ready for a rude awakening. And if anything it will make you realize your own flaws. So pack this and some of your favorite color or black and white film. And the lens system folds down to become even more compact. Best of all, you can easily bring it with you everywhere. You’re not getting the build quality or the lens selection, but you’re stepping up for sure. At a more affordable price, you’re getting a larger format than 35mm. And if you’re one to scoff at the price, then look at the Mamiya 6. Lots of photographers think they’ll be happy with a Leica. #Mamiya 6 review professionalIt’s just meant to be a damned good professional film camera.Īnd for that reason, the Mamiya 6 gets my absolute highest recommendations.” A quote from our Mamiya 6 review. I can use it for documentary work, studio work, landscapes, portraiture, and so much. But of any of those, the Mamiya 6 seems to offer the most versatility. I prefer to have a multitude of formats and cameras that can handle different situations accordingly. #Mamiya 6 review proThis, the Fujifilm GW690 III, and the Mamiya RB67 Pro S are amongst my favorites. “I’ve been on the search for the perfect medium format film camera for me for years now. ![]()
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